Halina Lewkowska in front of the house on Mączna Street, 1943. (Chapter 1)
Iaroslava Muzyka, 1940s (Chapter 1)
Jan Lewkowski was a simple cannoneer during World War I (Chapter 1)
Iaroslava Muzyka, Portrait of a Girl with a Dog, 1946 (Chapter 1)
Halina Lewkowska in Iaroslava Muzyka’s apartment at Czarniecki Street, 1945 (Chapter 1)
Fryderyka Lille at the pediatric clinic at Głowiński Street (Chapter 1)
Fryderyka Lille (Chapter 2)
A self-portrait by Ludwik Lille from his formalist period, 1920 (Chapter 2)
Fryderyka Lille at the pediatric clinic (Chapter 2)
German soldiers film a pogrom. Lviv, early July 1941. (Chapter 2)
Soviet authorities declared the monument to Lviv professors designed by Emmanuil Mysko ideologically incorrect and had it destroyed (Chapter 2)
Lviv welcomes the Germans, late June 1941 (Chapter 2)
The Lviv Ghetto was fenced off with barbed wire (Chapter 2)
“A Meeting of Brothers,” propaganda drawing from the front page of Vilna Ukraina (Chapter 2)
Thanks to the close cooperation between Myron Zarytsky and Stefan Banach, the Lwów School of Mathematics survived the Soviet occupation (Chapter 3)
Mykhailo Marchenko was appointed as university president in mid-October 1939. (Chapter 3)
An orchestra at the Janowska Camp. The 1943 photograph, titled “Death Tango,” was used as evidence in the Nuremberg trials (Chapter 5)
Portrait of Mykhailo Rudnytsky by Iaroslava Muzyka, 1936 (Chapter 5)
The band Polish Parade, directed by Henryk Wars, in the Middle East (Chapter 6)
The Selskys had to vacate their apartment at the start of the German occupation. Roman Selsky, Door, 1932 (Chapter 7)
Iaroslava Muzyka finished the portrait of Antonina Strutynska before her arrest in 1947 (Chapter 7)